![]() |
| Photograph by Kelly Teague, Used under CC license |
It's Day 19 of National Short-Story month. Today's selection is Robert Coover's story, "The Babysitter" from his collection Pricksongs & Descants (1969) . If the story were a piano piece, it would be likely subtitled Variations on a Theme.
Like the composer who shows his or her skill by performing a piece in varying styles, Coover demonstrates his skill as a storyteller-writer in "The Babysitter" by creating a larger experience of plot through weaving (or unweaving) the possibilities that arise from the well-known urban legend typically known as The Babysitter and the Man Upstairs, its several variants, and the imaginative mind-space of the characters.
(1969)
Coover won the 1987 Rea award, and the jury had this to say of his work:
"For taking the dross of the ordinary and spinning it into the treasure of myth Robert Coover [is] a writer who has managed, willfully and even perversely, to remain his own man while offering his generous vision and versions of America."
"For taking the dross of the ordinary and spinning it into the treasure of myth Robert Coover [is] a writer who has managed, willfully and even perversely, to remain his own man while offering his generous vision and versions of America."

![Newspaper article where The Tell-Tale Heart first appeared The New York Sun. [From the Pioneers.] The Tell-Tale Heart. By Edgar A. Poe. Art is long and Time is fleeting, And our hearts though stout and brave, Still, like muffled drums, are beating Funeral marches to the grave. [Longfellow. Then text of story begins.](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0A6rP0oD0wX-3X9YU8E1H-Ae38Ql7l7WIPWE5DAl0Kyj4ODhHlrFEKfXt61I0TmRyvetcziDeTSnY3LzRVQANRfPf48dvDLBUz1kZ5GG_0UyA1UeLoMJS0wJ__JfWIqLFo4hGc-2KUDI/s1600/tell-tale+heart.jpg)





